Kate Holcomb Hale

Portrait



Kate Holcomb Hale (b. Buffalo, NY) is an interdisciplinary artist and educator who lives and works in greater Boston, MA. Kate's practice uses sculpture, painting, video and craft to call attention to architecture and objects that perform care. Collapsing kitchen tables, knotted handrails and resting columns act as vehicles to consider vulnerability, futility and the invisible labor of caregiving that occurs in domestic and public spheres. This body of work was conceived after a period of intense caregiving in which she lost her mother, father and brother in quick succession. The experiences required Kate to confront systems of care and question who carries the weight when support systems fall short or are nonexistent. Through the act of sewing her work brings flexibility to the rigid, built environments we inhabit. Grief is embedded in each bruise-like mark and gesture she paints onto cotton, which she later sews into pliable sculptures. Her installations combine playful colors, softness, familiar forms and humor to create receptive spaces for empathy and healing. While Kate's work is often personal, it reimagines how we can soften and modify our built world to accommodate our most vulnerable members of society and ease the load of care work.




Kate received her MFA in critical theory and studio art from Maine College of Art in Portland, Maine. She has exhibited throughout the United States and internationally, including exhibitions at The Danforth Art Museum (Framingham, MA), Zabludowicz Collection (London, UK), Praise Shadows Art Gallery (Boston, MA), LaiSun Keane Gallery (Boston, MA), Spilt Milk Gallery (Edinburgh Scotland), and the ICA (Portland ME). In 2023 Kate attended the Jenny Family Residency in New Edinburgh, Nova Scotia and was recently a fellow at Virginia Center for the Creative Arts in Amherst, VA. Kate’s artwork has appeared in The Boston Globe, Boston Art Review and is featured in the books, Mother Art Prize 4th Edition and History, Practice and Pedagogy: Empathic Engagements in the Visual Arts.





images courtesy Carlie Febo Photography (above) 



Melissa Blackall Photography (left)

"Holcomb Hale could be describing the life of any artist who is also a caregiver or mother, any maker who creates outside of cultivating and keeping home. She’s long been interested in the oscillations of identity and femininity, but Holcomb Hale’s solo works in Is It Wednesday Yet?— works that integrate surfaces and remnants from her home—are some of the most personal, interior works of hers. These are departure from the willowing paper, paint, and charcoal-based installations that creep up and dangle off of walls. Here, Holcomb Hale seems more interested in the containment of feeling, of what’s expressed and preserved within a household relic, than its spreading. A slipcover and tablecloth are surfaces for such feeling, as in the impressions of a door hinge or linoleum tile in paper clay. 'I’m trying to create moments of home to replace the ones I lost or left behind,' Holcomb Hale tells me, sharing that these were created after the death of her parents and sale of her childhood home. 'How do you prepare the residue that you will leave behind?'"


*excerpt from the essay Being, Between, Becoming: Cicely Carew and Kate Holcomb Hale's Constant Construction by Leah Triplett Harrington, curator, writer, editor