Kate Holcomb Hale uses painting, sculpture, installation, and video to explore how an artist develops a unique visual voice in the face of adversity and transforms personal spaces into sites for creativity. This exhibition is an inviting space, perhaps because it is familiar. Through hand-sewn soft sculptures and paper clay impressions of object fragments such as cabinets, doors and light switches, Hale’s installation reveals itself to be a domestic space, albeit one in a disordered state. During the global pandemic, home was where the artist worked, and the process of creating art amidst everything else happening within the domestic sphere became a chaotic yet vital lifeline.
Since COVID, many of us have a clearer understanding of what it feels like to have the work-life-home-school-family balance completely upended, and many were already familiar with the intensity of balancing multiple roles. Care work is essential and time-consuming, yet it is often unseen and undervalued labor. Hale calls her soft sculptures “shock absorbers,” as they functioned as a “soft landing” for her after a period of intense caregiving for her family during the pandemic. Hale’s act of unburdening stress, anxiety, and grief through creating has resulted in brightly animated yet radically disrupted domestic space – tables slump and slouch while pieces of the home climb the walls and spill onto the floor. Hale’s work is dynamic and immersive, and her pieces both consider the burden and privilege that comes with caregiving. This exhibition acknowledges the impact the past few years have had on all of us and provides space that encourages empathy and connection – between the artist, the subject and the viewer.
-Jessica Roscio, curator The Danforth Art Museum